White
(Book)
"Combining personal reflection and social observation, Bret Easton Ellis's first work of nonfiction is an incendiary polemic about this young century's failings, e-driven and otherwise, and at once an example, definition, and defense of what 'freedom of speech' truly means. Bret Easton Ellis has wrestled with the double-edged sword of fame and notoriety for more than thirty years now, since Less Than Zero catapulted him into the limelight in 1985, earning him devoted fans and, perhaps, even fiercer enemies. An enigmatic figure who has always gone against the grain and refused categorization, he captured the depravity of the eighties with one of contemporary literature's most polarizing characters, American Psycho's iconic, terrifying Patrick Bateman. In recent years, his candor and gallows humor on both Twitter and his podcast have continued his legacy as someone determined to speak the truth, however painful it might be, and whom people accordingly either love or love to hate. He encounters various positions and voices controversial opinions, more often than not fighting the status quo. Now, in White, with the same originality displayed in his fiction, Ellis pours himself out onto the page and, in doing so, eviscerates the perceived good that the social-media age has wrought, starting with the dangerous cult of likeability. White is both a denunciation of censorship, particularly the self-inflicted sort committed in hopes of being 'accepted,' and a bracing view of a life devoted to authenticity. Provocative, incisive, funny, and surprisingly poignant, White reveals not only what is visible on the glittering, pristine surface but also the riotous truths that are hidden underneath"--
Notes
Ellis, B. E., & Ellis, B. E. (2019). White. First edition. New York, Alfred A. Knopf.
Chicago / Turabian - Author Date Citation (style guide)Ellis, Bret Easton and Bret Easton. Ellis. 2019. White. New York, Alfred A. Knopf.
Chicago / Turabian - Humanities Citation (style guide)Ellis, Bret Easton and Bret Easton. Ellis, White. New York, Alfred A. Knopf, 2019.
MLA Citation (style guide)Ellis, Bret Easton, and Bret Easton Ellis. White. First edition. New York, Alfred A. Knopf, 2019.
Record Information
Last Sierra Extract Time | Jun 03, 2023 07:21:44 PM |
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Last File Modification Time | Jun 03, 2023 07:22:17 PM |
Last Grouped Work Modification Time | Jun 07, 2023 02:08:37 AM |
MARC Record
LEADER | 04076pam a2200565 i 4500 | ||
---|---|---|---|
001 | 2018050947 | ||
003 | DLC | ||
005 | 20200226113127.0 | ||
008 | 181105s2019 nyu 000 0deng | ||
010 | |a 2018050947 | ||
020 | |a 9780525656302 | ||
040 | |a LBSOR/DLC|b eng|e rda|c LBSOR|d DLC|d NjBwBT | ||
042 | |a pcc | ||
049 | |a JRSA | ||
050 | 0 | 0 | |a PS3555.L5937|b W48 2019 |
082 | 0 | 0 | |a 814/.54|2 23 |
099 | |a 814.54 E471 2019 | ||
100 | 1 | |a Ellis, Bret Easton,|e author. | |
240 | 1 | 0 | |a Essays.|k Selections |
245 | 1 | 0 | |a White /|c Bret Easton Ellis. |
250 | |a First edition. | ||
264 | 1 | |a New York :|b Alfred A. Knopf,|c 2019. | |
300 | |a 261 pages ;|c 22 cm | ||
336 | |a text|b txt|2 rdacontent | ||
337 | |a unmediated|b n|2 rdamedia | ||
338 | |a volume|b nc|2 rdacarrier | ||
500 | |a "This is a Borzoi book published by Alfred A. Knopf"--Title page verso. | ||
505 | 0 | |a Empire -- Acting -- Second self -- Post-sex -- Liking -- Tweeting -- Post-empire -- These days. | |
520 | |a "Combining personal reflection and social observation, Bret Easton Ellis's first work of nonfiction is an incendiary polemic about this young century's failings, e-driven and otherwise, and at once an example, definition, and defense of what 'freedom of speech' truly means. Bret Easton Ellis has wrestled with the double-edged sword of fame and notoriety for more than thirty years now, since Less Than Zero catapulted him into the limelight in 1985, earning him devoted fans and, perhaps, even fiercer enemies. An enigmatic figure who has always gone against the grain and refused categorization, he captured the depravity of the eighties with one of contemporary literature's most polarizing characters, American Psycho's iconic, terrifying Patrick Bateman. In recent years, his candor and gallows humor on both Twitter and his podcast have continued his legacy as someone determined to speak the truth, however painful it might be, and whom people accordingly either love or love to hate. He encounters various positions and voices controversial opinions, more often than not fighting the status quo. Now, in White, with the same originality displayed in his fiction, Ellis pours himself out onto the page and, in doing so, eviscerates the perceived good that the social-media age has wrought, starting with the dangerous cult of likeability. White is both a denunciation of censorship, particularly the self-inflicted sort committed in hopes of being 'accepted,' and a bracing view of a life devoted to authenticity. Provocative, incisive, funny, and surprisingly poignant, White reveals not only what is visible on the glittering, pristine surface but also the riotous truths that are hidden underneath"--|c Provided by publisher. | ||
650 | 0 | |a American essays|y 21st century. | |
700 | 1 | 2 | |a Ellis, Bret Easton.|t Empire. |
700 | 1 | 2 | |a Ellis, Bret Easton.|t Acting. |
700 | 1 | 2 | |a Ellis, Bret Easton.|t Second self. |
700 | 1 | 2 | |a Ellis, Bret Easton.|t Post-sex. |
700 | 1 | 2 | |a Ellis, Bret Easton.|t Liking. |
700 | 1 | 2 | |a Ellis, Bret Easton.|t Tweeting. |
700 | 1 | 2 | |a Ellis, Bret Easton.|t Post-empire. |
700 | 1 | 2 | |a Ellis, Bret Easton.|t These days. |
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